- Drum Accessories
- Guitar Accessories
- Keyboard & Piano Accessories
- Mic Stand
- Microphone Stands
- Music Stand
- Notation Stand
- Speaker Stands
- Tablet Holder
- Volin Stand
- DJ Gear
- Keyboard & Piano
- Pro Audio & PA
- String Instruments
- Wind Instruments
Let’s face it. You are the type who would happily crank up a full Ampeg SVT stack in your living room. Heck, who needs neighbors anyway? And noise violations are really just a badge of honor, right? For the rest of us, there is the Ampeg Micro-CL Stack, delivering 100 watts of pure Ampeg tone. It’s perfect for those just getting into Ampeg or for the seasoned bassist looking to practice in far flung locations like the master bathroom.
Euphonycart presents Boss KATANA-HEAD Guitar Amplifier. Compact and powerful, the 100-watt Katana-Head delivers sharply defined rock tones with rich, commanding presence. The amp also includes integrated access to a huge range of BOSS effects, which are customizable using the free BOSS Tone Studio editor software. And with the powerful onboard Tone Setting memories, you can store your favorite amp channel setups and effects combinations for instant recall. In addition, the versatile Katana-Head is equipped with an effects loop and MIDI for integration with advanced rigs, and features a convenient built-in monitor speaker for tone preview and practice without a cab.
Euphonycart presents Hartke HA2500. Hartke 2500 in India is an excellent bass amplifier for live performance use in small and medium-size venues. And with its advanced preamp features, the Hartke 2500 is also ideal for studio work. All this, combined with exceptional reliability, makes the Hartke 2500 a staple amplifier for the contemporary bass industry.
Euphonycart presents Hartke 3500. Found on stages all over the world, the Hartke 3500 bass amplifier is back in classic black. Yet, it retains all the same rock-solid performance and features as the original that have made it one of the most popular bass amplifiers of all time. The 3500’s unique circuitry ensures that every nuance of your bass performance is faithfully reproduced. Featuring two Pre-Amp input knobs, allowing custom blending of tube and solid state tone, and ten-band graphic EQ, the 3500 is ideal for the player who wants plenty of power and control. But we don’t stop there.
Euphonycart presents Hartke LH1000. The LH1000 has a classic 12AX7 Class A tube front-end design with a solid-state output. Trick out the Bass and Treble shelving to give its warm tone an edge or use the Brite and Limiter switches to further sculpt your sound. Its intuitive front panel design also makes adjustments on the fly a breeze. Although the LH1000 is a perfect complement to our HyDrive Series Bass Cabinets, it also works as a seamless accompaniment to any bass speaker on the market.
Euphonycart presents Hartke LH 500. Hartke LH 500 packs a big punch in a portable, roadworthy package. A 2-rackspace metal frame chassis, steel faceplate and handles allow for easy, safe transport from gig to gig. With the needs of modern bass players largely centered around volume and versatility, the LH500 is an ideal solution that gives you plenty of options to create the exact sound you’re looking for.
Euphonycart presents Hartke TX300 lightweight TX300 Bass Amplifier is the answer for bass players who need a compact amp that can meet the demands of any gig. Featuring 300 watts packed into an aluminum chassis weighing only five pounds, and a flexible preamp with Hartke‘s Shape circuit for dialing up any tone, the TX300 is a portable powerhouse.
Euphonycart Presents Markbass BigBang 500W Bass Amp Head. Just over a decade ago, Marco De Virgiliis started pioneering small, lightweight amps; the Markbass Little Mark heads started a new era in bass amplification, inspiring many other companies to follow their lead.
Euphonycart Presents Markbass Litle Mark III 15Th Anniversary Bass Amp Head. To celebrate their first 15 years of success Markbass released a limited edition series of amp heads. The Little Mark III 15th Anniversary offers the same features as the standard Little Mark III, plus a very cool amazing look designed for this important milestone!
Euphonycart Presents Markbass Little Mark 250 Black Line Bass Amp Head. The Blackline Little Mark 250 offers great, useful features and power. The Little Mark 250 Black Line is a smart, inexpensive choice for those who don’t need the full power of a 500W head. It’s great for practicing, rehearsing, and small gigs.
Euphonycart Presents Markbass Little Mark III Bass Amp Head. This amp adds some high-requested features to its famous predecessor Little Mark II, with the same compact size and weight! This flagship Markbass amplifier, the Little Mark III is the industry standard for tone, portability and value.
Euphonycart Presents Markbass TTE 501 500W Randy Jackson Signature Tube Bass Amp Head. This Tube Bass amp head has a new and very cool “Modern Vintage” design! In the new TTE 501 Randy Jackson signature the current technology is brought together with classic tone concepts ito have an head that looks and sounds vintage—but features some special adaptations of the Markbass innovations like the Tube Technology Emulator (TTE), giving to the 500W amp power even more tubey warmth.
Euphonycart Presents Markbass Nano Mark 300 15Th Anniversary Bass Amp Head. To celebrate their first 15 years of success Markbass released a limited edition series of amp heads. The NANO MARK 300 15th Anniversary offers the same features as the standard NANO MARK 300, plus a very cool amazing look designed for this important milestone!
Euphonycart Presents Markbass Nano Mark 300 Bass Amp Head. The NANO MARK 300 once again raises the bar for bass amp heads. This smallest amp is not a toy—it gives you the Markbass tone in the most portable package possible easy to transport everywhere, featuring simple and effective controls and yet it gives you all the volume you need for most gigs.
Euphonycart presents Marshall 1987X. This 50w reissue plexi has been lovingly crafted to replicate the 70’s tone and aesthetics of the original. It’s unique tonal characteristics are what defined this all-valve amp and they have not changed in this reissue. The 1987XTM delivers the perfect balance of classic Marshall overdrive and glistening clean tones. An additional FX loop gives a modern twist to the amp.
Euphonycart presents Marshall DSl-100H. The Marshall DSL100H tube guitar amp head has footswitchable Classic Gain and Ultra channels, each boasting two modes – Clean/Crunch and Lead 1/Lead 2 respectively. These will take you from Plexi-style, pristine clean to JCM800 snarl, hot-rodded 2203, high gain lead and all points in-between. The flexibility of the shared 5-way EQ (Treble, Middle, Bass, Resonance and Presence) section is increased further by a Mid-Shift button – perfect for modern metal brutality.
A series FX loop on the rear panel (bypassable via an on/off switch) adds to the DSL100H’s professional flexibility, as does the Pentode (Full Power)/Triode (Half Power) switch which drops the power-amp’s output to 50-Watts. It also changes the amp’s tonal character as Triode mode produces a smoother, less aggressive sound.
Euphonycart presents Marshall DSL-15H. Marshall DSL15H is an all-valve, 15 Watt head that delivers great tone in a compact ‘small box’ design. Powered by two 6V6 power valves with four ECC83s in the preamp, the DSL15H might be small, but its guts are as serious as its big brother, the DSL100H.
Euphonycart presents Marshall JCM800-2203.
Classic tube tone from the days of huge guitar!
The all-valve JCM800 2203 is one of the most highly respected 100W Marshall heads in the company’s long history. Evolving from the legendary Plexi head, it was one of the first Marshall amps to feature a master volume control. The essence of simplicity, the JCM800 is a one-channel, all-valve amp with no reverb or effects. Its easy control panel, distinctive roar, and larger-than-life edge immediately set the standard by which all other rock amps were judged and it remained the industry benchmark throughout the entire 16 years of its production life. Now it’s back by popular demand and just like the 1959SLP and 1987X it has a Series Effects Loop with true bypass that takes the loop completely out of the circuit ensuring the original tone isn’t compromised in any shape or form.
Euphonycart presents Marshall JVM410H. Prepare to craft and innovate in rehearsal to shape the ideal stage sound for you with the 100w JVM410HTM. There are four independent channels, two master volumes and digital reverb so you can transform your sound palette and generate revolutionary sound combinations. The six-channel footswitch can store your favourite combinations and allows you to take your sound wherever you go, ready to perform with any JVM.
Euphonycart Present Yamaha PX3 Amplifier. Yamaha’s PX3 dual-channel Class D power amplifier gives you more than great-sounding amplification. It packs powerful built-in processing that would normally require external PA management processing. We’re talking onboard equalization for fine-tuning outputs, crossovers for integrating subs and fills, delays for correcting phase issues in large rigs, and a speaker-saving limiter. Factor in stellar sound quality, easy control via the LCD display, and its ultra-light weight, and it’s clear the Yamaha PX3 stands out among power amps in its class.
Euphonycart Present Yamaha PX5 Amplifier. Yamaha’s PX5 dual-channel Class D power amplifier gives you more than great-sounding amplification. It packs powerful built-in processing that would normally require an external PA management processing. We’re talking onboard equalization for fine-tuning outputs, crossovers for integrating subs and fills, delays for correcting phase issues in large rigs, and a speaker-saving limiter. Factor in stellar sound quality, easy control via the LCD display, and its ultra-light weight, and it’s clear the Yamaha PX5 stands out among power amps in its class.
Euphonycart Present Yamaha PX8 Amplifier. Yamaha’s PX8 dual-channel Class D power amplifier gives you more than great-sounding amplification. It packs powerful built-in processing that would normally require an external PA management processing. We’re talking onboard equalization for fine-tuning outputs, crossovers for integrating subs and fills, delays for correcting phase issues in large rigs, and a speaker-saving limiter. Factor in stellar sound quality, easy control via the LCD display, and its ultra-light weight, and it’s clear the Yamaha PX8 stands out among power amps in its class.